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Gorecki
Site Admin
Joined: 06 Oct 2005
Posts: 53061
Location: Glenwood, MD
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 Posted: Mon Oct 02, 2006 11:19 pm Post subject: Arpeggios |
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CM7
| Code: |
------------------8|--8---------------|------||
-------------5---8-|---8---5----------|------||
----------5--------|-----------5------|------||
-------5-----------|-------------5----|------||
----7--------------|---------------7--|------||
-8-----------------|------------------|------||
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Sticky requested and first contribution by alfonso.
Try to use a font where the characters are all one size. Courier New works well.
Windows users can also download TabIt (thanks to jakejew for pointing that tool out).
Use code tags to imbed your arp. Example the above arp is like the following when code takes are added:
| Code: |
[code]
------------------8|--8---------------|------||
-------------5---8-|---8---5----------|------||
----------5--------|-----------5------|------||
-------5-----------|-------------5----|------||
----7--------------|---------------7--|------||
-8-----------------|------------------|------||
[/code]
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Do you know where all of your F'n B flats are? |
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JakeJew
Joined: 30 Jul 2005
Posts: 2018
Location: Boston, MA
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| Posted: Tue Oct 03, 2006 3:17 am Post subject: |
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Yikes! That's a C major triad, not a Cmaj7!!
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"Inspiration may be a form of superconsciousness, or perhaps of subconciousness - I wouldn't know. But I am sure that it is the antithesis of self-consciousness." - Aaron Copland |
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Gorecki
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Joined: 06 Oct 2005
Posts: 53061
Location: Glenwood, MD
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| Posted: Tue Oct 03, 2006 3:36 am Post subject: |
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| JakeJew wrote: | | Yikes! That's a C major triad, not a Cmaj7!! |
Yikes, you're right, there isn't a B in there anywhere....ALFONSO!!! 
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alfonso
Joined: 25 May 2005
Posts: 1256
Location: Sacramento
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| Posted: Tue Oct 03, 2006 10:17 am Post subject: |
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Hey yeah you guys caught me on that one, I cut and pasted the CM7 and tabbed, sent it to Gorecki not even thinking to remove the 7. My main point was for for all you players in the arp world to Code you're favorite ones. That was the bottom line, guess you could say I can't Code, can't cut and paste and I can't tab but, I can play a little bit of jazz guitar. So be kind and move on.  |
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Gorecki
Site Admin
Joined: 06 Oct 2005
Posts: 53061
Location: Glenwood, MD
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| Posted: Tue Oct 03, 2006 2:47 pm Post subject: |
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No worries, I feel bad for not noticing before it was posted so I'm at fault as well....game on! 
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ad_jazz
Joined: 10 Jan 2006
Posts: 41
Location: Canada
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| Posted: Sat Oct 07, 2006 5:05 pm Post subject: |
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| Code: |
----------------------7--9---|
-------------------7---------|
-------------6/7-------------|
-------6--9------------------|
----7-------------------------|
------------------------------|
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a cool kinda E9 13 arpeggio
| Code: |
---------------------------8--11-/
-----------------------10--------/
----------------8--11-----------/
------------10------------------/
-----9--12---------------------/
--11---------------------------/
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and am Eb diminished arp. i really like the fingering
my two cents... |
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C7 Melody
Joined: 28 Jun 2006
Posts: 33
Location: East Texas
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| Posted: Tue Oct 10, 2006 9:41 am Post subject: |
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E Major Arpeggio Standard [1, 3, 5] - [ E, G#, B]
---------------7---------12----------/
------------------9-------------------/
------------------9-------------------/
------------------9-------------------/
---------------------11---------------/
-------------------------12-----------/
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Disco Volante
Joined: 10 Oct 2006
Posts: 78
Location: Shropshire, UK
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| Posted: Thu Oct 12, 2006 9:42 am Post subject: |
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-------------------------------5--8--|
---------------------------6----------|
----------------------6---------------|
-------------5---8-------------------|
--------------------------------------|
--------------------------------------|
Nice A7 #5b9#9 Arpeggio....at least I think that's what it is. I learn't it from Ted Greene's book 'Single note soloing vol 2'. That book has got hundreds of great arps. |
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JakeJew
Joined: 30 Jul 2005
Posts: 2018
Location: Boston, MA
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| Posted: Thu Oct 12, 2006 1:18 pm Post subject: |
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| Disco Volante wrote: | -------------------------------5--8--|
---------------------------6----------|
----------------------6---------------|
-------------5---8-------------------|
--------------------------------------|
--------------------------------------|
Nice A7 #5b9#9 Arpeggio....at least I think that's what it is. I learn't it from Ted Greene's book 'Single note soloing vol 2'. That book has got hundreds of great arps. |
Yeah I use this one all the itme, it's great because it functions a few ways
Bbminmaj7
A7alt
Gm7b5
Eb7
If you take away the D string it's Cmaj7#5 as well
I use this arpeggio for many different situations
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"Inspiration may be a form of superconsciousness, or perhaps of subconciousness - I wouldn't know. But I am sure that it is the antithesis of self-consciousness." - Aaron Copland |
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Disco Volante
Joined: 10 Oct 2006
Posts: 78
Location: Shropshire, UK
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| Posted: Sun Oct 15, 2006 10:29 am Post subject: |
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| Cheers for the tips on other usages Jake, I hadn't thought of those! Should keep me busy for a few hours........... |
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johnomania
Joined: 27 Mar 2006
Posts: 58
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| Posted: Tue Oct 24, 2006 2:13 am Post subject: |
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| ad_jazz wrote: | | Code: |
----------------------7--9---|
-------------------7---------|
-------------6/7-------------|
-------6--9------------------|
----7-------------------------|
------------------------------|
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a cool kinda E9 13 arpeggio
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that's a major 7th not a dominant so it would be EM9add13 since there's no 11. |
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PaulD
Joined: 18 Sep 2004
Posts: 942
Location: Chicago
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| Posted: Tue Oct 24, 2006 2:25 am Post subject: |
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| johnomania wrote: | | ad_jazz wrote: | | Code: |
----------------------7--9---|
-------------------7---------|
-------------6/7-------------|
-------6--9------------------|
----7-------------------------|
------------------------------|
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a cool kinda E9 13 arpeggio
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that's a major 7th not a dominant so it would be EM9add13 since there's no 11. |
Sounds dominant to me: R-3-5-6-b7-9-5-13. Major 7th would have been D# instead of D on the G string.
Paul |
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Sum Guy
Joined: 02 Sep 2006
Posts: 9
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| Posted: Wed Oct 25, 2006 6:52 pm Post subject: |
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I`m not sure about the intent of the thread but here are a few
fragments that connect pretty well.
If they are supposed to be altered or interesting sorry.
On the other hand I know a lot of these so if you are interested I will
be glad to post them.
They dont all connect so nicely but they have their uses.
| Code: |
Two root postion Ami7 arps that connect very nicely.
I added the last "A" note just to illustrate that it is there if you want it.
Ami7 = A C E G
------------------------------------5-----------
----------------------------5--8--------------
--------------------------5-------------------
---------------5-------7---------------------
-------------7--------------------------------
-------5--8----------------------------------
Same Deal but this time they are
AM7 = A C# E G#
-----------------------------4-------5---------
---------------------------5------------------
-------------------------6--------------------
--------------6-------7------------------------
--------4--7-----------------------------------
------5---------------------------------------
Of coures
A7 = A C# E G
-------------------------------------5-----------
--------------------------5--8--------------------
------------------------6------------------------
--------------5------7----------------------------
--------4--7--------------------------------------
------5------------------------------------------
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alfonso
Joined: 25 May 2005
Posts: 1256
Location: Sacramento
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| Posted: Sun Nov 12, 2006 1:57 pm Post subject: |
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Here's an augmented arpeggio, augmented like diminished can be looked at 4 different ways or keys/ chord forms. This is C+ or E+, G#+, Ab+.
------------------8|--8---------------|------||
-------------5---9-|---9---5----------|------||
----------5--------|-----------5------|------||
-------6-----------|-------------6----|------||
----7--------------|---------------7--|------||
-8-----------------|-----------------8--|------|| |
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Bjorn
Joined: 04 Jan 2005
Posts: 1031
Location: Denmark
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| Posted: Sun Nov 12, 2006 2:40 pm Post subject: |
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| Quote: | | alfonso wrote: | Here's an augmented arpeggio, augmented like diminished can be looked at 4 different ways or keys/ chord forms. This is C+ or E+, G#+, Ab+.
------------------8|--8---------------|------||
-------------5---9-|---9---5----------|------||
----------5--------|-----------5------|------||
-------6-----------|-------------6----|------||
----7--------------|---------------7--|------||
-8-----------------|-----------------8--|------|| |
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Hey Alfonso....
The G#+ and Ab+ are the same, diminished can be seen in 4 different ways since they are minor thirds, but the augmented are just three....  ....
Later.....
Bjørn.
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Ibanez Guitars - Classical Guitar - 7-String Classical Guitar - 6-string YAMAHA JONH PATITUCCI signature - 8 String Mandolin - 10 String Viola Caipira - Cavaquinho - Pianica & Flutes.
Groups: BW - Brazilian Group, BW - Frevo Orquestra. |
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