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Tombolino
Joined: 11 Feb 2008 Posts: 85 Location: Atlanta
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Posted: Sat Jan 30, 2010 4:55 pm Post subject: learning sub chords |
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Hi friends
I have all the theorry info on what chords can be subbed with what.
How do you all learn these so that you can think of them fast when you play with others?
Im learning them on slow tempo in Band in Box, one chord vamp. But the minute I open a real tune, I bewildered as how I could possibly sub fast on the go. Is it all memorized or whats the deal?
thanks |
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Jazz Playa

Joined: 11 Mar 2009 Posts: 346
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Posted: Sat Jan 30, 2010 6:22 pm Post subject: |
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Oh I can help you with that. sounds like you've got them memorized in your head but your having trouble applying them "guitaristically".
First: write them all down. It always helps to have the things your learning written down. Even periodically re-write them from memory on 3x5 cards or in a notebook as part of your practice regimen. If you can't write them ALL out quickly from memory then you haven't really learned them yet.
Write out the original chord(s) and then write all the chord subs for that chord in a row next to it.
If you write them all out here in the thread then I'll help you with the next step of how to apply them "guitaristically" on your fingerboard so that you can apply them to your instrument at a moments notice.  |
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Jens
Joined: 20 Feb 2007 Posts: 416 Location: The Hague, The Netherlands
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Posted: Sat Jan 30, 2010 7:16 pm Post subject: |
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@Tombolino:
Probably the first thing to do is to take the substitutions one by one. As with most things you practice, keep it easy to overlook, if you try to play every chord of a song with a new concept it is going to be very difficult to do. Pick a chord and a substitution and find a song where that is easy to practice. Once you have one of them down the next will be easier etc. etc.
When you talk about subs, what kind are you talking about? Using arpeggios or voicings from the key on the chord (f.ex. Am7 arp over Fmaj7) or changing the harmony of the tune into something else (altered chords, borrowing from other keys, passing or suspension chords etc. )
Jens _________________ http://www.jenslarsen.nl |
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Tombolino
Joined: 11 Feb 2008 Posts: 85 Location: Atlanta
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Posted: Sat Jan 30, 2010 8:22 pm Post subject: |
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thanks. I have all the notes and info on elemental subs (diatonic, Dom subs, etc). No I haven't memorized them. BTW, i do have cycle of 4ths, 5ths, etc set up in Band in a Box.
Pls tell me how you learned them |
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Jens
Joined: 20 Feb 2007 Posts: 416 Location: The Hague, The Netherlands
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Posted: Sat Jan 30, 2010 8:53 pm Post subject: |
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I am still not really sure what you are exactly trying to learn but here's an example of how I approach a substitution:
1. Pick a chord+ a specific sound or scale f.ex: in C major: D7 and Amin melodic so playing D7(#11) on the V of V in C (as Take the A train).
2. Pick a place on the neck where you can 1. play the song and 2. play the A min melodic scale.
3. Try improvising with the A min melodic scale on a D7 rubato then slowly in time, emphasize the D7 arpeggio and the #11. Play through the song using a D7(#11) voicing so you get an idea of how it sounds in the harmonic situation.
4. Try improvising on Take the A train in that position using the stuff you just figured out in step 3.
5. Apply the same to another tune (Lady bird, The Girl From I, etc. etc.)
I am not sure if this is any help at all, but it is how I go about applying new harmonical material.
Jens _________________ http://www.jenslarsen.nl |
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Jazzy

Joined: 14 Dec 2004 Posts: 1660 Location: Norway
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Posted: Sat Jan 30, 2010 9:20 pm Post subject: |
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| Check out the books from Bret Willmott, they`re really great. |
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JakeJew

Joined: 30 Jul 2005 Posts: 2192 Location: Boston, MA
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Posted: Sat Jan 30, 2010 10:10 pm Post subject: |
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I'm not sure there is such a thing as "all subs." Aren't there, speaking liberally, infinite chord substitutions? I've learned a bunch just one by one, each individually substitution has it's own character and should only be used if the player really hears it and feels that it's an appropriate way to express that segment of the tune at that particular moment. _________________ "Inspiration may be a form of superconsciousness, or perhaps of subconciousness - I wouldn't know. But I am sure that it is the antithesis of self-consciousness." - Aaron Copland |
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Tombolino
Joined: 11 Feb 2008 Posts: 85 Location: Atlanta
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Posted: Sun Jan 31, 2010 12:06 am Post subject: |
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Hi, thank you
I think I would to explain my question further.
I have enough theory info in my notes to know enough subing to keep me busy learning for a while. But I certainly can begin learning one type of sub at a time (doesnt matter which one). So lets say I decide to start practicing subbing C major or Cmajor 7 with amin9 or am.......I know I can cycle on 5ths or 4ths and practice that type of sub on various major chords. So the question is, do you all end up just memorizing what subs what?
So down the road, if I see an Fmajor I should have already memorized that the diatonic vi sub is dm? Or how else have some of you made this sub learning process a bit easier?
thanks |
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JakeJew

Joined: 30 Jul 2005 Posts: 2192 Location: Boston, MA
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Posted: Sun Jan 31, 2010 12:08 am Post subject: |
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| Tombolino wrote: | Hi, thank you
I think I would to explain my question further.
I have enough theory info in my notes to know enough subing to keep me busy learning for a while. But I certainly can begin learning one type of sub at a time (doesnt matter which one). So lets say I decide to start practicing subbing C major or Cmajor 7 with amin9 or am.......I know I can cycle on 5ths or 4ths and practice that type of sub on various major chords. So the question is, do you all end up just memorizing what subs what?
So down the road, if I see an Fmajor I should have already memorized that the diatonic vi sub is dm? Or how else have some of you made this sub learning process a bit easier?
thanks |
Are you talking about subs for comping or for taking the solo? _________________ "Inspiration may be a form of superconsciousness, or perhaps of subconciousness - I wouldn't know. But I am sure that it is the antithesis of self-consciousness." - Aaron Copland |
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Tombolino
Joined: 11 Feb 2008 Posts: 85 Location: Atlanta
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Posted: Sun Jan 31, 2010 1:55 am Post subject: |
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| just chord substitution (comping I guess yes) |
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dewey decibel
Joined: 15 Feb 2006 Posts: 1677
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Posted: Sun Jan 31, 2010 4:58 am Post subject: |
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| Tombolino wrote: | Hi, thank you
I think I would to explain my question further.
I have enough theory info in my notes to know enough subing to keep me busy learning for a while. But I certainly can begin learning one type of sub at a time (doesnt matter which one). So lets say I decide to start practicing subbing C major or Cmajor 7 with amin9 or am.......I know I can cycle on 5ths or 4ths and practice that type of sub on various major chords. So the question is, do you all end up just memorizing what subs what?
So down the road, if I see an Fmajor I should have already memorized that the diatonic vi sub is dm? Or how else have some of you made this sub learning process a bit easier?
thanks |
You learn tunes and study versions by your favorite players. You get out there are and play them and see how other cats handle them. Then you go home and try and recreate that.
You can try the method of learning everything in a very theory oriented/systemized way, but IMO in the real world it doesn't work that way. Your decisions of what and when to substitute shouldn't be based on theory but on your vocabulary.
What I mean is I don't feel that say, a ii-V-I in the song Joy Spring is the same as a ii-V-I in the song I'll Remember April, even if they're the chords/key. It's a different tune and should be played differently. To me this is the difference between playing BS and playing music (and something a lot of current jazz players don't understand). |
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JakeJew

Joined: 30 Jul 2005 Posts: 2192 Location: Boston, MA
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Posted: Sun Jan 31, 2010 6:56 am Post subject: |
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| dewey decibel wrote: | | Tombolino wrote: | Hi, thank you
I think I would to explain my question further.
I have enough theory info in my notes to know enough subing to keep me busy learning for a while. But I certainly can begin learning one type of sub at a time (doesnt matter which one). So lets say I decide to start practicing subbing C major or Cmajor 7 with amin9 or am.......I know I can cycle on 5ths or 4ths and practice that type of sub on various major chords. So the question is, do you all end up just memorizing what subs what?
So down the road, if I see an Fmajor I should have already memorized that the diatonic vi sub is dm? Or how else have some of you made this sub learning process a bit easier?
thanks |
You learn tunes and study versions by your favorite players. You get out there are and play them and see how other cats handle them. Then you go home and try and recreate that.
You can try the method of learning everything in a very theory oriented/systemized way, but IMO in the real world it doesn't work that way. Your decisions of what and when to substitute shouldn't be based on theory but on your vocabulary.
What I mean is I don't feel that say, a ii-V-I in the song Joy Spring is the same as a ii-V-I in the song I'll Remember April, even if they're the chords/key. It's a different tune and should be played differently. To me this is the difference between playing BS and playing music (and something a lot of current jazz players don't understand). |
Yeah Dewey, I think I have had this perspective more or less for the past five years or so, but as time passes and I get out and play more I definitely lean more towards these being words to live (play) by. _________________ "Inspiration may be a form of superconsciousness, or perhaps of subconciousness - I wouldn't know. But I am sure that it is the antithesis of self-consciousness." - Aaron Copland |
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sunflower

Joined: 09 Mar 2007 Posts: 581
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Posted: Sun Jan 31, 2010 4:57 pm Post subject: |
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| Quote: | | So down the road, if I see an Fmajor I should have already memorized that the diatonic vi sub is dm? Or how else have some of you made this sub learning process a bit easier? |
No
Just learn a bit of 'Functional Harmony'
ie get the roman numeral thing down
Dm is the vi chord of Fmaj yeah
its three frets down
or down a minor third
So its the same relationship for all keys
But I also totally agree with what Dewey said |
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jazzerchick
Joined: 31 Oct 2006 Posts: 954 Location: SanAntonio , Tx
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Posted: Fri Feb 05, 2010 8:15 am Post subject: |
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If you get the Ted Greene book "Chord Chemistry", there's a lot of great info in the back about subs and all sorts of other things. Hard book with
loads of info to work through slowly. |
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steve

Joined: 04 Jun 2005 Posts: 867 Location: oz
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Posted: Fri Feb 05, 2010 2:15 pm Post subject: Re: learning sub chords |
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| Tombolino wrote: | Hi friends
I have all the theorry info on what chords can be subbed with what.
How do you all learn these so that you can think of them fast when you play with others?
Im learning them on slow tempo in Band in Box, one chord vamp. But the minute I open a real tune, I bewildered as how I could possibly sub fast on the go. Is it all memorized or whats the deal?
thanks |
Look, I don't want to bust any bubbles or whatever, but the answer is time. Sorry, there are no short cuts. Still, sometimes it can be reassuring to know this and to be confident that you are not waisting your time. Sub on my man! _________________ Miles is the answer. |
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