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Larry Carlton
Larry Carlton began taking guitar lessons when he was six. His first professional gig was at a supper club in 1962. After hearing Joe Pass on the radio, he was inspired to play jazz and blues. Wes Montgomery and Barney Kessel became important influences soon after he discovered the jazz guitar stylings of Pass. B.B. King and other blues guitarists had an impact on Carlton's style as well. He honed his guitar-playing skills in the clubs and studios of greater Los Angeles. He attended a local junior college and Long Beach State College for a year until the Vietnam War ended. Carlton toured with the Fifth Dimension in 1968 and began doing studio sessions in 1970. His early session work included studio dates with pop musicians like Vicki Carr, Andy Williams and the Partridge Family. In 1971, he was asked to join the Crusaders shortly after they'd decided to drop the word "Jazz'' from their name, and he remained with the group until 1976. In between tours with the Crusaders, he also did studio session work for hundreds of recordings in every genre. But it was while he with the Crusaders that he developed the highly rhythmic, often bluesy style he has now. His credits include performing on more than 100 gold albums. His theme music credits for TV and films include Against All Odds, Who's the Boss, and the theme for Hill Street Blues. The latter won a Grammy award in 1981 for Best Pop Instrumental Performance.
Carlton delivered his self-titled debut for Warner Bros. in 1978, shortly after he was recognized for his ground-breaking guitar playing on Steely Dan's Royal Scam album. (Carlton contributed the memorable guitar solo on "Kid Charlemagne.'') He released four more albums for Warner Bros., Strikes Twice (1980), Sleepwalk (1981), Eight Times Up (1982), and the Grammy-nominated Friends (1983), before being dropped from the label.
He continued studio session work and touring in between, emerging again in 1986 on MCA Records with an all-acoustic album, Discovery, which contained an instrumental remake of Michael McDonald's hit, "Minute by Minute." The single won a Grammy Award for Best Pop Instrumental Performance in 1987. Carlton's live album, Last Nite, released in 1987, got him a Grammy nomination for Best Jazz Instrumental Performance.
While working on his next album for MCA, On Solid Ground, Carlton was the victim of random gun violence, and was shot in the throat by gun-wielding juveniles outside Room 335, his private studio near Burbank, California. The bullet shattered his vocal cord and caused significant nerve trauma, but through intensive therapy and a positive frame of mind, Carlton completed work on On Solid Ground in 1989. Carlton formed Helping Innnocent People (HIP), a non-profit group to aid victims of random gun violence.
Carlton's most recent albums include two releases in 1996 for GRP Records, Gift and With a Little Help from My Friends. His other recordings include 1990's Collection and 1992's Kid Gloves for the same label, Playing/Singing (1995, Edsel), and Renegade Gentleman, a 1993 release for GRP.
Visit
the official Larry Carlton website here
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BECOME
A MASTER JAZZ GUITARIST!
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Larry
Carlton: Collection
Never
did I think I could tolerate a fully instrumental CD more
than once or twice, but I was proven wrong. Of course,
being a Michael McDonald fan, I'm a little biased in saying
that "Minute by Minute" is the most well done
track on the CD. Others I'd give honorable mention to
are "Nite Crawler" which you can definitely
enjoy while cruising, and also the remake of "Tequila"
which Larry excellently made his own. This collection
showed to me that Larry Carlton is absolutely quality
jazz entertainment. - Music fan from new Jersey
Order
here from Amazon.com
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"Play
What You Hear" author Chris Standring has a brand
new album out on Ultimate Vibe Recordings entitled "Love
& Paragraphs". Standring
puts aside his trusty longtime jazz axe, the archtop Benedetto,
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with two Fender Strats. Standring plays the Benedetto on
the balance of the tracks on Love & Paragraphs, which
includes the vocal and horn-enhanced, mid-tempo retro funk
title track, the dreamy, ambient chill meditation “Liquid
Soul”; the hypnotic and jazzy, trip-chill blues jazz
pop jam “Ooh Bop” (highlighted by Standring’s
own irresistible poppy vocals); the bright, rolling jazzy
samba “That’s What I Thought You Said” and
the lush and romantic, synth orchestra-enhanced “Reflection,”
which closes the set in a cool and dramatic film score-like
way. - Jonathan Widran
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Get the transcription & play along set and download:
Original album track recording in mp3 format * Play along
album track (without solo guitar) in mp3 format * Midi file
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More info and order here
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