|
| |
|
|
 |
Larry
CarltonLarry
Carlton began taking guitar lessons when he was six. His first professional gig
was at a supper club in 1962. After hearing Joe Pass on the radio, he was inspired
to play jazz and blues. Wes Montgomery and Barney Kessel became important influences
soon after he discovered the jazz guitar stylings of Pass. B.B. King and other
blues guitarists had an impact on Carlton's style as well. He honed his guitar-playing
skills in the clubs and studios of greater Los Angeles. He attended a local junior
college and Long Beach State College for a year until the Vietnam War ended. Carlton
toured with the Fifth Dimension in 1968 and began doing studio sessions in 1970.
His early session work included studio dates with pop musicians like Vicki Carr,
Andy Williams and the Partridge Family. In 1971, he was asked to join the Crusaders
shortly after they'd decided to drop the word "Jazz'' from their name, and he
remained with the group until 1976. In between tours with the Crusaders, he also
did studio session work for hundreds of recordings in every genre. But it was
while he with the Crusaders that he developed the highly rhythmic, often bluesy
style he has now. His credits include performing on more than 100 gold albums.
His theme music credits for TV and films include Against All Odds, Who's the Boss,
and the theme for Hill Street Blues. The latter won a Grammy award in 1981 for
Best Pop Instrumental Performance.
Carlton delivered his self-titled
debut for Warner Bros. in 1978, shortly after he was recognized for his ground-breaking
guitar playing on Steely Dan's Royal Scam album. (Carlton contributed the memorable
guitar solo on "Kid Charlemagne.'') He released four more albums for Warner Bros.,
Strikes Twice (1980), Sleepwalk (1981), Eight Times Up (1982), and the Grammy-nominated
Friends (1983), before being dropped from the label.
He continued studio
session work and touring in between, emerging again in 1986 on MCA Records with
an all-acoustic album, Discovery, which contained an instrumental remake of Michael
McDonald's hit, "Minute by Minute." The single won a Grammy Award for Best Pop
Instrumental Performance in 1987. Carlton's live album, Last Nite, released in
1987, got him a Grammy nomination for Best Jazz Instrumental Performance.
While working on his next album for MCA, On Solid Ground, Carlton was the victim
of random gun violence, and was shot in the throat by gun-wielding juveniles outside
Room 335, his private studio near Burbank, California. The bullet shattered his
vocal cord and caused significant nerve trauma, but through intensive therapy
and a positive frame of mind, Carlton completed work on On Solid Ground in 1989.
Carlton formed Helping Innnocent People (HIP), a non-profit group to aid victims
of random gun violence.
Carlton's most recent albums include two releases
in 1996 for GRP Records, Gift and With a Little Help from My Friends. His other
recordings include 1990's Collection and 1992's Kid Gloves for the same label,
Playing/Singing (1995, Edsel), and Renegade Gentleman, a 1993 release for GRP.
Visit
the official Larry Carlton website here |
 | | | |
| | BECOME
A MASTER JAZZ GUITARIST! Learn to play jazz guitar at the highest
level with Chris Standring's complete home study course! Play jazz guitar
right here at Play Jazz Guitar.com Click
here for info! |
| |
Larry
Carlton: Collection Never
did I think I could tolerate a fully instrumental CD more than once or twice,
but I was proven wrong. Of course, being a Michael McDonald fan, I'm a little
biased in saying that "Minute by Minute" is the most well done track
on the CD. Others I'd give honorable mention to are "Nite Crawler" which
you can definitely enjoy while cruising, and also the remake of "Tequila"
which Larry excellently made his own. This collection showed to me that Larry
Carlton is absolutely quality jazz entertainment. - Music fan from new Jersey
Order
here from Amazon.com |
"Play
What You Hear" author Chris Standring has a brand new album out on Ultimate
Vibe Recordings entitled "Blue Bolero". "With
his sixth CD, Blue Bolero, Standring returns with a left-turning musical project
so daring in its scope but still so true to his sound that it is destined to be
one of the year's most-discussed projects, while certainly sure to be remembered
in years to come as a highlight of the guitarist's works. He's taking a chance
with Blue Bolero, but it's one his fans will certainly embrace as they follow
Standring's ever-evolving career. - Brian Soergel, Jazz Times Listen
to & purchase Blue Bolero
| | | |